The Universal Peace Federation (UPF) hosted my solo art exhibition named “Threshold” on Monday the 6th April 2015 at the UPF Embassy (826 George Street, Sydney.NSW) during their seminar event of the Ambassadors for Peace Meeting, to promote the world peace through my art of light and perception as a part of the 2015 UNESCO International Year of Light program. I was invited as a guest speaker to display my artworks and to present an Artist’s Talk titled “Art, Light and World Peace.” The Seminar was professionally organised by Mrs. Catrine Van Dinklage, UPF Events Coordinator. Mrs. Aila Willitts, the Women’s Federation for World Peace Australia performed the role of a fantastic MC who is very skilled at providing a genuinely unique atmosphere. The event was attended by a large number of UPF’s Ambassadors for Peace in Australia from various ethnic backgrounds with their families and friends including the Australian Iraqi, Mr. Hormiz Eshoo, and Dr. Alaa Alawadi together with his wife Mrs. Nadia Alawadi and his son Mr. Sultan Alawadi,

Mr Greg Stone first delivered a significant screen presentation titled “Creating a culture of Peace through Art”, explaining about the role and the power of art in promoting peace, which can be summed up as follows: The mission of UPF is dedicated to building a world of peace through the five principles of God, spirituality, family, service, and unity, for peace comes through cooperation beyond the boundaries of authenticity, religion, and nationality. In regards to the absolute values and the reassessment of the contemporary world, we notice that the natural and social order are suffering from violence and injury that lead to growing cause for despair. Mr. Stone talked about the unification thought of theory of art that seeks to view art in acceptance with the fundamental principles of God. God is a great Artist and the universe is His work of art for there is a resemblance between the images of human beings and God. There is also an essential relationship between art and ethics and true beauty can only be established on the basis of true love.

This was followed by my artist’s talk, accompanied by my poetry reading of “Spiritual Dialogue with Light” and screen presentation of my artworks. These are some extracts of the text of my speech given at UPF: “Threshold Art Exhibition Threshold Art Exhibition was created to be exhibited over the two years of 2014 & 2015, for it has coincided with the world‘s commemorating the centenary of the First World War, along with UN declaring 2014 as the ‘Year of Solidarity with the Palestinian People’. The exhibition is also coinciding and celebrating the 2015 International Year of Light in Australia as a part of the year calendar that is a mix of business, education, art, and science to celebrate the importance of light in our life. Threshold Art Exhibition first won the competition to be included in the international art show of ‘Year In Review Two Thousand Thirteen Competition” in York Space, New York City, USA March 2014. It was also exhibited in Bankstown Arts Centre in April 2014, and in Mary MacKillop Museum from 10th December 2014 to 30th March 2015.”

“Through my art, I present a kind of an intersection between me, my identity, my country cause, the history and the world. In my vision, I visualize the reality of the world. For, in fact, works of art do not represent reality, and the real world, rather, art creates realities and worlds. That is why art is central to politics and to social relationships, for works of art can transform common perceptions and they can transfigure experiences and take part in our continual remaking of the world…..In this context, I hope for politicians to be a little bit creative and spiritual. For, if they were creative and spiritual, they can lead the world in a better way. There is no doubt that politicians and community leaders need spiritual guidance. Spiritual leaders need to redirect and re-educate the new generation regarding the actual purpose of faith. We really need a kind of deep transformation which will make a radical change to enable us to recreate the world’s reality… Art has the power to encourage peace and to urge people to be anti-war, anti-violence, anti-terrorism, anti-genocide and anti-oppressing nations…Finally, I hope that my artwork may inspire individuals, politicians and community leaders; to change, to transform, to cross the threshold of perception through contemplating and reshaping the reality of the world towards recreating universal humanity that working for love and peace.”

Four people from various nationalities were appointed as Ambassadors for Peace and they received the Ambassador for Peace Award including the Public Affairs Director in Sydney, Ms. Churlya Wurfel, I – the writer of this journalistic report – (Marcelle Mansour) and Maurice Mansour. It was a delightful surprise to see my husband Maurice is getting an award for his encouragement and his great support for my art career. The seminar event was highlighted by the performance of an interesting music band with the composer/artist Mr. Chihiro Midorikawa, the Secretary-General of UPF. Light refreshments and drink were served and the ceremony concluded with the networking of empowered ambassadors for peace.

I would like to thank the UPF members who participated in the seminar, in particular, the UPF President Mr. Greg Stone, the UPF Event Coordinator Ms. Catrine Van Dinklage, Women’s Federation for World Peace Australia Mrs. Aila Willitts. I would also like to extend my thanks to the volunteers from the UPF Youth Group who gave their time and efforts to help in a positive way. A massive thank you for the people who attended the event including Mr. Bedro Hajje, Photographer and 2ME Radio presenter, and all the UPF Ambassadors for Peace who attended the evening for they all shared an enjoyable inspiring evening together and made the event such a great success.

  

By Marcelle Mansour

The Australian Lebanese Poet Mr. Badaoui El-Hage who is professionally a Construction Engineer launched his first book of Arabic poetry titled  “… walaw ba’da heen”,  meaning,  “… even after a while”,  on 28 March 2015.  It was held at the senior’s multipurpose room at Our Lady of Lebanon Church Harris Park, in the presence of Mr. Tony Issa MP OAM and Marada guests from Lebanon; Mrs Vera Yammine and Mr Jawad Khoury, a number of media journalists, organization representatives, prominent personalities, writers, poets, artists, and crowd of community members. Not to forget the beautiful young Cynthia Farah, Miss Lebanon Australia Beauty Pageants 2014.  Mr. Sarkis Karam performed a superb Master of Ceremonies (M.C.) for the evening where he welcomed and thanked all audience and the spencers of the event, including Mr. Joseph Khoury OAM the, Owner and Editor of Almestaqbal (Future) newspaper, EL Marada Australia and Nader Jewellery.

Brilliant speeches were made by writers Mr. Elias Chediack, Mr. Hassan Zahwa and Mrs. Vera Yammine.  Dr. Jamil Doueihy, Editor-in-Chief of Almestaqbal newspaper and renowned poet recited his lovely poems about great love of women and Homeland Ehden. One of his amazing poems I recall is about love and humanity in a spiritual sense when he says: “Love and Human are the only ones resemble God”.

The evening was highlighted by reading selected poems from the book by the author himself. This poetry book of literature contains composed poems of three interesting sections, called “Woman”, “Homeland” and “Spirit”. The largest part is beautifully about great love-poems of women. Mr. Badaoui El-Hage read snippets of his amazing variable poems of Homeland including Al-Quds, and other passionate expressive poems where he says: “I am attracted to you via dim light “.

After the book launch concluded I went home and felt like reading it before I sleep for I was still in the mode of the poetry atmosphere.

In his book, El-Hage started with his short sparkling poem of “Raheel wa Zekrayat”, meaning “Departure and Memory”, expressing his love, loyalty, and faithfulness for his beloved one and swinging and longing between the two charming cities of Beirut and Sydney, p35.  El-Hage’ s  “Voice & Echo” is one of his greatest love poems where he says: “You live in my face…you inhabit my voice, you live in the drowsiness of  my bed….”p15;  and in the poem of “Naked gentle breeze” he says “ In every woman’s body lives a naked gentle breeze…” P29. Moreover, the poet is very fond of the “Women of Beirut “p63, he admits the women of Beirut are the most beautiful women around the world.

During my reading, I was wondering where from the author chose the title of his book? “… walaw ba’da heen”, meaning:  “…even after a while”?  I thought at first that was a title of one of his poems, I continued reading until I explored that he extracted the title from the text of his poem titled “Yaqzato el Haneen”,  meaning  ‘Vigilance Nostalgia’.  His work in this poem is an awaking state of yearning and longing for a previous time or a space or a significant body in his life. This is because the sense of nostalgia in the poet’s mind is where the home resides – which perhaps suggests the possibility of being his beloved wife that evokes the sense of eagerness and hankering at the time of departure; where she feels the ‘Lost Love’ as the MC Karam humorously mentioned. This feeling seems spontaneous for any female who lives a strong love experience with her husband or partner for love dominates the space. It is, in reality, an actual indication of genuine love, loyalty, and faithfulness that would be inhabited constantly and permanently despite space and the place and is therefore highly praised. In this context, I also commend the poet in exchanging the same feelings with no surprise, for he is the Eastern man who has only ‘one heart’. In his series poems of “woman 1- 5”, he shows that he is fond of the woman and continues praising her:  in his poem of ‘Woman 2” p75 he says “…I have one heart that owned by protective.” and in “Woman 5” he reveals his tremendous love with “no repent” p81.

The second part of the book is called ”Homeland”, in the first three poems, the poet describes the importance of defending one’s own motherland whether it is Lebanon or Palestine or any other country. The first poem titled “Resistance” he speaks of the struggle for the ‘liberation’ of ‘land’ is a real feast of glory p85. In “Al-Quds- Jerusalem” he reveals the cause of failure and conquers among the Palestinian leaders p87, and in “Gaza” poem p89, the poet depicts the horror and terror of the tragic descriptive scenes of the innocent victims of genocide war.  In all situations, El-Hage proved to be the patriotic citizen who is caring for all the Middle Eastern countries regardless of what nation or people for he understands the concept behind the Arab unity in protecting the whole area against the land invasion or occupation. The poet here carries the burden on his back and points out to the Arab leaders the weakness and shortcomings in their leadership. This undoubtedly implies the actual need for reformation and the radical change for conquering “Daa’sh” whom he condemns p93.

In continuing reading the book, in section three called “the Spirit” with a variety of spiritual poems, one of them is titled “Qandeel”, meaning “Lantern”, where he says: ‘on its dim light, I wrote my first poem…In its light …I saw the innocence of my childhood”p127.  In another poem called “Ardana”p131, the poet does not forget the land of his birthplace which lies in the Northern part of Zgharta and has its original name from the ancient language of Canaanites. All evoke the childhood memories.

While I was reading, to my surprise I came across a poem that contains verses familiar to me. I read it again, and then I realized that it is the same poem that was gifted to me at my Facebook page by the poet himself on the occasion of attending my “Threshold” Solo Art Exhibition in Bankstown Art Centre 2014. I first met Mr. Badaoui El-Hage while he was viewing my new artworks and was involved in taking photos on his mobile phone while contemplating – in a silent deep conversation – of each reflective unit and was trying to properly perceive the whole art exhibition that emanating light, and shifting colours in a relaxing surrounding.  I guessed at that time that he was trying to figure out the idea and the drive behind those units of artworks, what does it mean to him and what is the purpose of it? No doubt, he appeared to be caring creative person and possess the combined high abilities of thinking and imagination together. That was my first impression of him which proved later to be correct. To make it short, this particular poem is published in the book titled “Aaraa’ Molawana”, which literary means “Colourful Opinions” and I would translate it as “Colourful Perception” where he begins with beautiful descriptive words by saying: “Paintings with no frames…transcend lines and boundaries.“ The poet ends it by saying: “colours that are universal and eternal.” P129. I would like to add here that El-Hage has a great sense of perception for he successfully selected the perfect words to give the meaningful expression that suits the part description.

Generally speaking, I find the book to be inspiring and very poetic where it has the natural rhythm of human feelings that full of sensations, passion, and love for women, for the roots and homeland. 160 pages with a small size paper and white book cover. The introduction was written by the Lebanese Writer Mr. Assad El-Khoury.  It is inviting for reading in depth, on the bases of its beauty and simplicity, to focus on words, meaning and imagery of the verses that takes the reader on a splendid journey.

Congratulations to Badaoui El-Hage who has wonderfully published his first poetry book and wish him all the best and good luck with his future books.